tamu aias

Honestly, when I first saw this I got really excited because I thought that OMA devised a way for these huge towers to float by using magnets for stabilization. This whole exciting thought process happened in like .1 second when I saw the rendering. I’m a huge fan of magnets. You can quote me on that. Seriously, how kool would that be if the units that are attached to the side of the core here (sadly, the magnets are nowhere to be found) and could rise and fall as desired? I suppose that may detract from the intentional placement of the towers for views… And imagine it. If the side units were completely autonomous from the core ( with respect to their position vertically ) then this core could be raised to twice the height, the already present units move on up, and construct a few more around the base! this is a good one to think about… imagine a whole slew of these together all corbu “radiant city” style … 

The design strategically maneuvers within the highly regulated building environment to maximize the full potential of the site: Four individual apartment towers are vertically offset from one another and suspended from a central core. The skyline of floating towers directly relates to the surrounding building volumes and explores the most attractive views towards the city center and an extensive green zone to the north. The lifted apartment towers reduce the building’s footprint to a minimum; the liberated ground level provides communal leisure activities embedded in the tropical landscape. 

via world architecture news

A tour denoting a resurgence of Modern-style homes in Dallas includes a residence designed by Bentley Tibbs, who earned his graduate and undergraduate degrees from the Department of Architecture at Texas A&M.

Tibbs told the Dallas Morning News that he refers to his work as Southern modernism and described the home he designed as a “very, very casual house with a formal shape. It still reads modern in its sensibilities, but it’s not necessarily using the modern vocabulary.”

story via archone.update

more pictures here

Dallas morning news article here

Project developed from public tender organized by the DIBAM, which envisaged the empowerment of a reading room and exhibition spaces in the lounge Founders of the National Library, along with the acoustic conditioning and lighting of space.

    

The proposal understands the need to build and consolidate the various programmatic areas that currently live in Founders Hall. On the one hand the need for this part of the national library to offer the public a place to house in a free and free to its users and in turn to reinforce this salon as a place of exhibitions at both the permanent and temporary.

via plataformaarquitectura < ( more pictures )

Malaysia is no stranger to iconic buildings. Two of the tallest buildings in the world, the Petronas Twin Towers, are located in Kuala Lumpur, the country’s capital. So it comes as no surprise to us that a stunning new residential development is planned for the Putrajaya waterfront known as Precinct 4, just 30km south of Kuala Lumpur. The design, however, is a refreshing and original with unique, marine-inspired structures – which also draw from traditional Islamic designs – arranged in a permeable, radiating block of bioclimatic architecture. 

via inhabitat

Monday, November 10th, 5:00 p.m. Geren Auditorium

Hernan Diaz Alonso is the principal and founder of Xefirotarch, a Los Angeles-based design firm working in architecture, products, and digital motion. For the last several years he has been a thesis coordinator and professor in studio design and visual studies at SCI-Arc in Los Angeles. He is also a design studio professor at Columbia University’s Graduate School of Architecture, Planning, and Preservation. He worked for several years as a senior designer at Eisenman Architects in New York and has lectured around the world.

Hernan Diaz Alonso is hailed as an architect who pushes boundaries and breaks the rules. His recent winning design for the Lexington Courthouse Plaza (though not the design being built)is a close-to-home example of the tension between cutting-edge design and the inertia of the expected.

Alonso, who has also worked with both Enric Miralles and Peter Eisenman, is uniquely primed to contribute to our current cultural discourse. He continues to challenge with each project, such as the Aqua Center in Denmark and the Queens Museum of Art in New York. The PSI competition. etc.

Alonso received his professional degree in architecture in Argentina, his M.Arch at Columbia University.

It’s a perfect metaphor for the teetering global real-estate market: Capital Gate, the glassy tower at the center of Abu Dhabi’s $2.2 billion Capital Centre development, has just been submitted to the Guinness Book of World Records as the “world’s most inclined building,” according to the press release. (I prefer “leaningest.”)

Capital Gate practically swoons with a queasy 18-degree westward tilt, easily besting Pisa’s paltry 3.9 degrees. (The more famous building’s accidental declivity comes from a shoddy foundation and loose soil, problems that Capital Gate’s architect, RMJM, expects to stave off with a steel diagrid structure and hundred-foot-deep piles.)

The 35-story tower, which includes a five-star Hyatt hotel, should be completed next fall, but given the tanking world economy, I’m not sure the developers have fully realized its symbolic potential. Why not, for example, tie the building’s angle to the stock markets’ sinking fortunes and turn Capitol Gate into a a huge art-installation-cum-roller-coaster?

recap: +4X more tilted than the Leaning Tower at Pisa, 8 story deep piles, 35 stories tall, steel diagrid

via metropolis mag

This summer, Jerusalem inaugurated a new bridge by Santiago Calatrava that will be the centerpiece of a planned light-rail system connecting the Old City to the sprawling neighborhoods just over its walls. The serpentine, cable-stayed structure is a stone’s throw away from the Central Bus Station in a dusty, car-clogged intersection, where its gleaming white “strings” (it is meant to evoke a harp) and glass-and-basalt walkway make an odd juxtaposition with the dismal surroundings. The angled mast, which rises 387 feet into the air—making it among the most prominent features of the skyline—has been a particular point of contention, with many Israelis calling it overscaled and out of place.

The city maintains that the $70 million bridge, which is expected to open in 2010 along with the first rail line, will help ease perennial traffic jams, aid tourists traveling into the Old City, and provide Jerusalem with a sparkling new symbolic entrance. At the opening ceremony (where a taped message from Ehud Olmert, the transit system’s main backer and now Israel’s outgoing Prime Minister, was greeted with jeers), the city’s current mayor, Uri Lupolianski, compared grumbling over the project to early mixed reviews of the Eiffel Tower and the Brooklyn Bridge. The next morning, at the Ministry of Foreign Affairs, I spoke to Calatrava about designing a high-profile project in an ancient city, the criticism of the bridge, and why New York City needs to build “grandiose infrastructure.”

read rest of metropolismag.com article :interview with Calatrava