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Talks Thom Mayne: Architecture is a new way to connect to the world

About this talk

Architect Thom Mayne has never been one to take the easy option, and this whistle-stop tour of the buildings he’s created makes you glad for it. These are big ideas cast in material form.

About Thom Mayne

Founder of the influential studio Morphosis, and co-founder of the Southern California Institute of Architecture, Pritzker Prize-winning architect Thom Mayne marries conceptual ideas with form,… Full bio and more links  »

Working out of the Box: IOMEDIA

via archinect ideomeia

Working out of the Box is a series of features presenting architects who have applied their architecture backgrounds to alternative career paths. Are you an architect working out of the box? Do you know of someone that has changed careers and has an interesting story to share? If you would like to suggest an (ex-)architect, please send us a message.

archinect: Where did you study architecture?

Peter: Carnegie Mellon University in Pittsburgh, E’cole DE’Beaux Arts – Tours France, and the University of Adelaide in South Australia. I must admit that my interests while studying were very broad, from photography to supercomputing and robotics as well.

Eric: I have a Bachelor of Architecture from Carnegie Mellon, with a minor in Business Administration and Marketing.

Eugene: I studied Industrial Design and Architecture at Carnegie Mellon University.

Ashwan: I have a Bachelor of Architecture from Sushant School of Art & Architecture in New Delhi, India and an MS in Informatics & Architecture from Rensselaer Polytechnic Institute (RPI) in Troy, New York.

At what point in your life did you decide to pursue architecture?

Peter: My junior year of High School, while I was taking a class that incorporated bridge building. It didn’t seem like enough to just build a bridge that held up, I wanted it to make sense and provide some aesthetic benefit to whoever might see it someday. The arts were always important to me all along the way, music, fine art, and design – my father was always a great sketch artist and my uncle builds stringed instruments for a living [an amazing talent and not an easy thing to do] so they both influenced my decision to be involved with the arts.

Eric: Pretty early on – around the ninth grade. Being good at both art and math and sciences, I was told by several people at the time that architecture was a logical career path. I took a class in architecture, a real studio class, while I was in high school and a 10-week summer session at Carnegie Mellon before my senior year in high school, so I was pretty sure.

Eugene: Never… Well ok since we are being truthful there was a brief moment back when I was in school and I saw this show called Seinfeld. Anyway since I am sure that you probably have not seen it as it was not that popular I will explain the situation. There is this character named George who was having a tough time picking up the ladies. So in all his infinite wisdom he decided that when he was out and a woman asked him what he did for a living he would simply say that he was an architect. The next scene was of him waking up in bed with the woman. I thought to myself if this guy could get lucky by claiming to be an architect then what would happen if I was an architect. So I signed up and quickly realized the error of my ways when I suddenly had an additional year of school to complete the degree and spent the whole time in the studio without sight of a woman.

Ashwan: In high school I was very interested in design and technology and around the same time I was involved in a small construction project. Meeting with the architects and being on the site really helped me in deciding my future career path. I decided to take on Mechanical Drawing as a subject in senior high school with additional focus on science and computer technology as well. To be really sure, I did get into an economics program after finishing school, but that didn’t last very long. I was very happy when I moved into the architecture program.

When did you decide to stop pursuing architecture? Why?

Peter: It didn’t come as part of a plan or anything calculated, I engaged the architecture profession whole heartedly and worked with some great people right out of school. Cambridge 7 was a fascinating place to work, talents like Peter Chermayeff and Peter Sollogub while I was there were amazing conceptual designers- though what I really took away from working with them was more of their entrepreneurial spirit, something that I can’t see myself ever letting go of. Moving to New York was amazing, changed my whole perspective on the profession. I worked with Chris Choa at HLW International, another entrepreneur at heart– after he left the country following his global aspirations; I decided it was time for me to do my thing as well. My education was amazing, the people I worked for were truly inspirational, and in 1997 the profession wasn’t developing that quickly within digital communications, so I took the opportunity to start IOMEDIA and try to make a change. I had the opportunity to marry the two things I enjoyed most as a professional – the arts, and technology.

Eric: While I was pretty certain that I was going to be an architect – there was no doubt in my mind really – by the time I finished my first year at Carnegie Mellon, I’d already had the equivalent of 4 semesters of freshman architecture studio. So, that’s pretty much what my perception, at that early age, of what the profession was based on these experiences – problem solving exercises based upon relatively short design charrettes and the visual representation of that design solution. As things got more “real” – about half way through the 5 year program, I started losing interest. I also felt that while the curriculum was meant to be very well rounded, it was also very confining and because of all the required classes, it left little room for exploring other interests, which I felt was key to developing my identity as a designer and keeping things interesting. I also felt it was completely irresponsible that it wasn’t until our 5th year that we had a “profession practice” class – where we learned what architecture, the practice of versus the study of, was all about. This only after 4 years of study and half of the class had already dropped out . . .

I did however practice for 3 full years after graduating, hoping that architecture practice might hold something for me that in the end architectural study didn’t. Unfortunately, as a junior architect, what I found instead were stair details, exiting diagrams, redlines and lots of AutoCAD – so not exactly what I was looking for in order to sustain my interest. I’ve always had a somewhat short attention span and really just didn’t have the patience for projects that lasted years (after 3 years, nothing that I worked on was built, which I now know is not uncommon). Maybe if I’d gotten over the initial hump of being a junior designer, but probably not. At IOMEDIA, most projects last a few weeks to a few months, although in some cases we are involved periodically or off and on throughout the project’s life-cycle. With computer visualization there is just much more immediate feedback and (relatively) instant feedback.

At Carnegie Mellon, I did get a very solid and early exposure to computer visualization and from day 1 through my 3 years in practice I actively pursued 3d Viz until I felt I couldn’t go any further within a conventional firm (at least not one at that time). I spent all of my free time honing my 3d skills and learning everything I could about the industry as well as immersing myself in film and animation. Right before I left architecture, I took an intensive class in 3d graphics at NYU’s Center for Advanced Digital Applications.

I don’t however regret for a minute having studied architecture or where I studied it as it definitely gave me the tools to do what I’m doing today and there was really no course of study for design visualization, so I wouldn’t have done anything differently.

Eugene: See previous answer.

Ashwan: After finishing my five year course in Architecture, I worked for about a year as an architecture intern, working on design, drawings and construction as well. Though I found this somewhat fun, it did not really satisfy my technology bug. Around the same time I started ‘dabbling’ in architectural visualization which helped fulfilling that void to a great extent. I wanted to pursue a stronger relationship between computer technologies and architecture, looking around I found RPI was offering a Masters program that was exactly that. I applied for the course, got accepted, packed my bags, embarked on my first trip to the US and moved to Troy, New York from New Delhi. At RPI, I found the program exactly what I was expecting, it was set within the Architecture school and the focus was advanced computer technologies; ranging from visualization to developing software programs that helped design processes. I decided to research the field of soft computational technologies such genetic algorithms and neural networks and their applications to urban design. As RPI had a strong computer science department, I was able to pick up concepts in programming and write code. Finally, I was able to effectively work on design and computer technology at the same time! … read full article

Ted Talks Joshua Prince-Ramus: Designing the Seattle Central Library

About this talk

Architect Joshua Prince-Ramus takes the audience on dazzling, dizzying virtual tours of three recent projects: the Central Library in Seattle, the Museum Plaza in Louisville and the Charles Wyly Theater in Dallas.

About Joshua Prince-Ramus

Joshua Prince-Ramus is best known as architect of the Seattle Central Library, already being hailed as a masterpiece of contemporary culture. Prince-Ramus was US Partner of Rem Koolhaas’ Office… Full bio and more links  »

SHoP Rising

nydailynews

In the last eight years, NYC-based SHoP has gone from five graduates of Columbia Architecture School sitting around a kitchen table in a Murray Hill loft to one of the best architecture firms in the world, redesigning the Fashion Institute of Technology, building Google’s first-ever ground-up structure and transforming the South Street Seaport from an outdoor shopping mall for tourists into a grid-based waterfront neighborhood for actual New Yorkers…

(the brick is not part of this city project but i love it …so that’s why its here…)

“We take everything into account when we design a building,” says Christopher Sharples. “If the building is on the waterfront, we can get bigger panels there by boat. If it’s inland, we have to take into account the size of the truck transporting it.”

In the past, where material suppliers such as lumber companies would have excess material due to mistakes in cutting or charge inordinate prices for different-size planks of wood, a SHoP project leaves no waste because the exact sizes are output by the computer in the manufacturing process, making their projects environmentally more correct. The exact amount of materials is used with each machine cut.

“We were known as the ‘avant-cheap’ architects for a while,” says William Sharples, referring to the firm’s early period, when they designed the Manhattan retail outlet for fashion’s Costume National. “Hundreds of years ago, materials were very expensive and labor was very cheap. Now it’s the other way around. We found a way to work with that.”

At the new South Street Seaport, SHoP beat out some of the world’s top architects for the task of re-creating this well-known area. After being awarded the right to design the East River Esplanade by the Department of City Planning and other city agencies, SHoP’s work on the Seaport ensures that one firm controls the continuity of design for the entire lower East Side waterfront.

“General Growth, the client, came to us and asked what was wrong with the site,” says Pasquarelli, who smiles as if that’s his favorite question. “This part of lower Manhattan is the fastest-growing residential section in the country, but it’s the least authentic part of the city. It’s a suburban mall at the edge of the water. We came up with a master plan that extends the city grid, takes away dead ends and puts a park at the end of the pier.”

Site owner General Growth Properties holds the lease to Seaport for the next 73 years. They could leave it like it is for as long as they want and charge retailers higher rent, but General Growth’s Michael McNaughton sees the benefit of hiring SHoP to breathe new life into misused space.

Stairway to Architecture (blindfolded, handcuffed, and misguided?)

via archiect (Matthew Arnold and Orhan Ayyüce Senior editor – Archinect) | read full article here

First off this is not the whole article. This is important to your Professional Architectural Development! Go Here to read the whole post

area studied

As it known, the ‘good looking’ road of architecture is not really easy and smooth.

‘Architects,’ and I mean the entire community, students and the teachers, interns, practitioners and licensed architects, have to prove their dedication to architecture throughout their lives. With strictly institutionalized professional codes and ‘fusion models,’ the road is often a long ride, always challenging the dedicated and the committed.

Architecture is one of the most demanding and rigorously pursued professions.

Mathew Arnold, an architect with a Cooper Union education, sent me his research initially named, “The Road To Licensure” and its ongoing results in the form of well designed charts, illustrating an uphill effort, likened to a “Stairway to Architecture.”
It could shed some light on the questions some of you might have or raise newer issues and actions, for institutions and individuals involved, helping the integration of academy and the field, adjusting the scales for the advancement of the people who are, by definition, responsible for thinking of and creating the built environment. … (more on the actual article)

The year 1996 saw the publication of the Boyer Report. Commissioned by the AIA (see the abstract,) AIAS, NCARB, NAAB, and ACSI, The report, entitled Building Community: A New Future for Architecture Education and Practice, called for a reinvigoration of architectural education and a more comprehensive integration of education and practice.

The issuance of the report caused a stir in the architectural community. Practitioners and educators alike acknowledged the cogency and merit of its recommendations, and many of us participated in more than a few roundtable discussions where representatives of the academy and practitioners were united in voicing commitment to their implementation.

Recently, I got to wondering, how are we doing now, twelve years later…

A few diagrams from the article on archinect

architecture school typologies

Applicants, accepted, dropped out, graduated
about the author

The RFI and accompanying charts are available at stairwaytoarchitecture.com
Who is Matthew Arnold?
I maintain a private architecture and design practice in Virginia. I graduated from Cooper Union with a B.Arch in 1982. I’m a licensed architect in most of the mid-Atlantic states. I enjoy the work of Edward Tufte and recommend his books and seminars, in particular the poster of Napolean’s March to Moscow.

I’m currently working on a little book, Drawings that Scream — Architectural Working Drawings in CAD, a primer.

Talks Liz Diller: Architecture is a special effects machine

About this talk

In this engrossing EG talk, architect Liz Diller shares her firm DS+R’s more unusual work, including the Blur Building, whose walls are made of fog, and the revamped Alice Tully Hall, which is wrapped in glowing wooden skin.

About Liz Diller

Liz Diller and her maverick firm DS+R bring a groundbreaking approach to big and small projects in architecture, urban design and art — playing with new materials, tampering with space and… Full bio and more links  »

2008 Outstanding Architecture Alumni.

Six former Texas A&M University College of Architecture students who have distinguished themselves as pioneers in their professions and leaders in their respective communities have been selected as recipients of the 2008 College of Architecture Outstanding Alumni Award.

The 2008 honorees — J. Paul Bohn ‘84, Shannon Rankin ‘82, Randy Rehmann ’78, Bryan Trubey ‘83, Joe Verdoorn ‘70, and Mark Wamble ’83 — will be feted Friday, Oct. 3 at the college’s annual Outstanding Alumni Awards Banquet, which begins with a 6:30 p.m. reception at the Miramont Country Club in Bryan, Texas.

“This year the College of Architecture is proud to honor six extraordinary former students who, through their incessant dedication, hard work and devotion to excellence, continue to inspire and fuel the college’s tradition of education, research and service at the highest levels of quality,” said Jorge Vanegas, interim dean of the college.

“Through the generation of new knowledge and innovations, supported by extraordinary talent, abilities, and skills, and fueled by a relentless pursuit of excellence, these former students have advanced their professions and industries, as well as the reputation of the College of Architecture and Texas A&M University. And most importantly, said Vanegas, “they serve as outstanding role models for our current students.”

2008 Outstanding Alumni:

J. Paul Bohn ’84, ‘86
Vice President, Director of Operations
SmithGroup California

J. Paul Bohn ’84, ’86 (BED, MARCH) is vice president and director of operations for SmithGroup California, guiding the daily decisions that further the firm’s mission of design excellence and client satisfaction. In his position since 1999, he manages the firm’s $50 million west coast budget and supervises the daily operations of SmithGroup’s San Francisco and Los Angeles offices.

Bohn is the secretary/treasurer for SmithGroup California’s board of directors and was on the firm’s development board of directors from 1999-2002.

He joined SmithGroup as chief architect in 1991 and was soon promoted to a firm principal, where he shifted into the management and operational side of the practice.

After graduating from Texas A&M, Bohn began his post-college career as a project manager/project architect in 1986, at the Washington, D.C. firm James Bayley Associates.

Bohn managed every aspect of the client relationship, orchestrating projects from concept to completion. He became known in the community through several historic projects, leading public meetings, presentations, negotiations, and hearings with local agencies.

Two years later, Bohn joined Ellerbe Becket, Inc., seeking a broader portfolio and more opportunities to learn. At Ellerbe Becket he expanded his architectural experience from commercial, historical, and retail to include major healthcare projects and interior architecture.

In 1990, Bohn became a licensed architect in Washington D.C., and became even more involved in the local architectural community. He became a government affairs committee member of the D.C. American Institute of Architects in 1991, working as a liaison with fellow chapters to both champion and challenge legislation that would affect the profession.

He is a member of the College of Architecture’s Dean’s Advisory Council and served as chairman of the college’s Professional Leadership Board for several years. He has twice served on National Architectural Accrediting Board visits to the college.

Bohn, his wife Amy, and his sisters Brenda Trifon and Sandra Gray permanently endowed The George and Esther Bohn Architectural Scholarship at Texas A&M University in honor of their parents.

Shannon Rankin ’82, ‘86
Principal, Founding Partner
SkB Architects

Shannon Rankin ’82, ’86 (BED, MARCH) is a principal and founding partner at SkB Architects, Inc. in Seattle. Her career has been defined by a commitment to blending architecture and interior design rather than separating the disciplines.

In addition to management responsibilities at SkB, she has assumed many different roles in projects including architectural designer, interior designer, programming specialist, project architect and project manager.

Rankin and two founding partners created SkB Architects in February 1999. The company focuses in several markets: commercial, workplace, hospitality, retail and residential. Key areas of focus influencing the company’s designs are: social and behavioral studies, materiality, sense of place and culture, and blending of interior and exterior architectural disciplines to create unified experiences.

Rankin is widely recognized as an expert in workplace design and strategy. She has engaged clients such as Microsoft, Boeing, Eddie Bauer, Omnicom and Philips in innovative workplace projects that center on key concepts such as learning and knowledge sharing, enhancing productivity, and discovering environmental stimuli that inspire innovation and creativity.

In addition to her work in the corporate sector, she has experience in a wide variety of market sectors such as commercial buildings, retail, hospitality, exhibit design and single family residential.

Before founding SkB Architects, Shannon worked in Dallas, Boulder, Denver, and Seattle for several companies including Callison Architecture in Seattle and Gensler in Denver.

Her work has been published in Interior Design, Residential Architect, Metropolitan Home, Sunset Magazine and Trends Magazine as well as numerous local publications.

Rankin is a member of the Dean’s Advisory Council at Texas A&M University’s College of Architecture, a board member of the Art Corps in Seattle and a guest critic and juror at several universities and colleges.

She lives in Seattle with her husband and business partner, Kyle Gaffney, and their daughter Hannah.

Randy Rehmann ‘78
President, CEO
Dynamic Systems, Inc.

Randy Rehmann ’78 (BDCR) and a group of fellow co-workers founded Dynamic Systems, Inc. a day after being laid off by an employer. Since that day 20 years ago, Rehmann has developed Dynamic Systems into a leader in the field of mechanical and system installations in major commercial and private projects.

From a main office in Austin and seven regional offices, he has directed the company’s development of a strong portfolio of work in many industries, including micro-electronics, entertainment, hospitality, healthcare, pharmaceuticals, and education.

His achievements include:

• growing his company to $300 million in revenues over a broad spectrum of public and private projects in 25 states, keeping a top quality product as the company’s focus, and recruiting and retaining a strong and loyal employee team;

• volunteer leadership roles for professional organizations and youth mission trips for his church, which gives him deep personal satisfaction, and at the Texas Wildlife Association, where he promotes strong education conservation and outdoor heritage;

• having the chance to instill A&M qualities like honesty, integrity and a strong work ethic in his four children, and seeing them and his four nephews have the opportunity for the Texas A&M educational experience.

He has served on the board of elders of Bethany Lutheran Church since 1988 and its board of directors, including two years as vice president and president.

Rehmann has served as president of the Austin Mechanical Contractors Association and as director, officer and president of the Mechanical Contractors Association of Texas.

He served as an officer and president of Texas A&M’s Construction Industry Advisory Council and currently is a member of the Senior Austin Aggie Leadership Council. He is currently serving a two-year term as president of the Texas Wildlife Association.

Bryan Trubey ‘83
Design Principal
HKS Inc.

Bryan Trubey ’83 (BED), a shareholder and design principal with HKS, has focused his career on sports and entertainment projects.

In the May 2004 Sports Business Journal, Trubey was named one of the 20 Most Influential People in Sports Facility Design, Architecture and Development. The magazine cited his stellar performance working with such clients as the Dallas Cowboys, Los Angeles Dodgers, Indianapolis Colts, Atlanta Braves, Milwaukee Brewers, Chicago White Sox, Texas Rangers, Dallas Mavericks and Dallas Stars.

Other facilities on Trubey’s resume include Lone Star Park, American Airlines Center, US Cellular Field renovations and the MLS Pizza Hut Park complex in Frisco. His international projects include Liverpool FC Stadium, El Territorio Santos Modelo, 2014 FIFA World Cup venues in Rio de Janeiro and Brasilia, Brazil and cricket stadiums throughout India including Mohali, Dechi, Jaipur, Kolkata, Mumbai, Hyderabad, Chennai and Bangalore.

As the firm’s principal with 26 years experience, he actively participates in all phases of the architectural design process, including programming. His primary role occurs in the initial planning stages where he is responsible for setting the design concept and then maintaining design continuity throughout project development. His most notable projects are regarded as the first to effectively integrate the sports environment with entertainment, creating timely, memorable mixed-use destinations.

He is a member of the American Institute of Architects (AIA), the Texas Society of Architects and the Dallas chapter of the AIA. He annually sponsors Texas A&M University’s School of Architecture Sports & Entertainment Studio instructed by Marcel Erminy.

Among Trubey’s many achievements:

• The new Dallas Cowboys Stadium, which has received international recognition and critical praise from the national architectural press. David Dillon, architecture critic with the Dallas Morning News, said, “It is a highly cinematic and futuristic piece of contemporary architecture.”

• At the unveiling of the Liverpool FC Stadium project, the sporting, national and international press were united in their enthusiastic endorsement of the design, calling it “groundbreaking in terms of stadium design.”

• At the age of 30, his design project, the National Stadium in Hong Kong, received a national AIA design award.

Joe T. Verdoorn ’70, ‘71
Principal
SEC Planning, LLC

During his 30-year career, Joe Verdoorn ’70, ’71 (BLA, MUP) has expanded the role of the landscape architect in the building/development industry and become a leader in the field of community design for residents older than 55.

With every project, he strives to educate clients to landscape architects’ multi-disciplinary expertise. To that end, he champions the landscape architect’s role as project manager, directing the efforts of consultant team members whose expertise are vital to a project’s success. Additionally, he has been a proponent of sustainable design techniques throughout his career, educating clients, consultant team members and associates to the benefits of working with the land.

He has also pursued his passion for active adult community design as lead planner for all 55+ communities built by Del Webb Corporation, an adult and family community developer.

During his involvement with Del Webb, he realized a new paradigm was needed to plan communities that appealed to this unique market. He began researching the demographics and psychographics of the active adult market to understand the expectations and motivations of these exacting consumers. From this, he created an active adult community model that has become an industry standard.

This research influenced the design, construction, and administration of numerous active adult communities and expanded the knowledge base of the profession. Due to his efforts and experience, he is recognized as an expert in the planning and design of active adult communities.

Verdoorn has trained countless young landscape architects, beginning with his years on the faculty of Texas Tech University. As proprietor of his own firm, Richardson Verdoorn, and now as a principal at SEC Planning, he takes a personal interest in mentoring staff. His hands-on approach allows these individuals to grow in their knowledge and experience of landscape architecture.

His achievements include:

• his selection as lead planner for all new communities by Del Webb Corporation after a national search effort in 1979;

• a distinguished career at firms including Carter & Burgess, Myrick-Newman-Dahlberg & Partners, a 20-year career as a founding partner of Richardson Verdoorn and a founding principal at SEC Planning, LLC;

• teaching or mentoring more than 12 professional landscape architects who have gone on to establish their own planning/design firms.

Mark Wamble ’83
Principal
Interloop — Architecture

Mark Wamble ’83 (BED) is a principal of Interloop — Architecture, an architecture and design firm in Houston. In addition to his professional practice, Wamble pursues academic research as the Cullinan Professor at the Rice School of Architecture.

His research and design work includes Symonds 1 and Symonds 2, a pair of advanced interactive learning environments built for Rice University, Klip House, a service-based housing platform developed for mass production, Forty-Eight Foot House, a private residence in Houston, Plug-On, the first in a series of residential product prototypes, Polara 7, a suite of custom designed and fabricated furniture pieces, Julia’s, a Latin bistro and bar, 1AB Stim, a site specific interactive installation for the First Architecture Biennale in Rotterdam, E-X-I-T, a custom exit light for The Nasher Sculpture Center in Dallas, and Tending(Blue), a new building designed to house an art work by the artist James Turrell, commissioned by the Nasher Foundation in Dallas.

His writings and design work have appeared in publications including the Wall Street Journal, ID Magazine, Perspecta 34 and 38, Arch +, Architectural Record, Architecture Magazine, Slow Space and 16 Houses.

In 2001, Interloop — Architecture was commissioned by Renzo Piano Building Workshop, Genoa, Italy, to be an associate architect for The Nasher Sculpture Center in Dallas. Also in 2001 he organized and designed an exhibit of Interloop — Architecture’s work for the Aluminum in Contemporary Architecture exhibition at the Carnegie Museum of Art in Pittsburgh. Wamble has lectured at Harvard University, Yale University, Columbia University, the University of Michigan, the University of Texas, University of California-Los Angeles, Ohio State University, The Nasher Sculpture Center, and the Museum of Modern Art in New York City.

Wamble has taught at the Rice School of Architecture since 1990 and has been a visiting instructor at the University of Michigan, Harvard University, and Columbia University. His teaching experience includes graduate studios with a focus on working and living environments, architectural product and systems design, and advanced fabrication technologies.

While earning his Master of Architecture from the Graduate School of Design at Harvard University, Wamble worked as a project designer with Eisenman Architects in New York and was on the design team for the Wexner Center for the Visual Arts at Ohio State University in Columbus, Ohio.

After receiving his master’s from Harvard in 1988, Wamble developed a line of textiles for Knoll International, became project architect for the Columbus Convention Center in Columbus, Ohio, was project architect on three office buildings in Tokyo, and, with his team, designed the winning scheme for the Rebstockpark competition in Frankfort, Germany.

Wamble was a design principal at Bricker + Cannady Architects in Houston beginning in 1997, continuing to produce research projects and exhibitions with longtime collaborator Dawn Finley. While at BCA, Mark was design principal for the renovation of Jones Plaza in downtown Houston, which won an American Institute of Architects award in 1999.